Jon Rafman

Poor Magic, 2017, single-channel HD video with sculptural seating installation

Poor Magic, 2017, single-channel HD video with sculptural seating installation, installation view, Galerie Antoine Ertaskiran, Montreal (Canada)

Poor Magic, 2017, video still, single-channel HD video with sculptural seating installation

Poor Magic, 2017, single-channel HD video with sculptural seating installation

New Age Demanded (Tuskface Marble), Installation view, The Artist Is Present at YUZ Museum, Shanghai, October 10 - December 16, 2018

Dream Journal 2016-2017, 2017, installation View, Sprueth Magers, Berlin (Germany)

Dream Journal 2016-2017, 2017, installation View, Sprueth Magers, Berlin (Germany)

Dream Journal 2016-2017, 2017, video still

Open Heart Warrior, 2016, installation view, Sprueth Magers, Berlin (Germany)

Open Heart Warrior, 2016, video still

Legendary Reality, 2017, video still, 15 min 43 sec

After Us, 2017, exhibition view, K11 Art Museum, Shangai (China)

New Age Demanded (Rippleface), 2017, 3D print, silicone, pigment, 63 x 45 x 38 cm (25 x 18 x 15"), private collection

You Are Standing In An Open Field (The Survivor), 2016, archival pigment print, resin, polystyrene, 149.5 x 200 x 8.3 cm (59 x 79 x 3.5")

You Are Standing In An Open Field (Morning after a Stormy Night), 2016, archival pigment print, resin, polystyrene, 149.5 x 200 x 8.3 cm (59 x 79 x 3.5"), private collection

Transdimensional Serpent, 2016, Installation view, I Was Raised on the Internet (2018), MCA Chicago, Photo: Nathan Keay, © MCA Chicago

Transdimensional Serpent, 2016, booth view at Frieze, special projects

Transdimensional Serpent, 2016, virtual reality still

L'Avalée des avalés (The Swallower Swallowed) Rabbit/Pig, 2016, high-density foam and acrylic paint, 183 x 63.5 x 92.5 cm (72 x 25 x 36.5")

Jon Rafman, installation view, 2016, sculpture, video, Kunstvarein Westphalia, Münster (Germany)

Jon Rafman, 2015, exhibition view, Zabludowicz Collection, London (UK)

Jon Rafman, 2015, exhibition view, Zabludowicz Collection, London (UK)

Jon Rafman, 2015, exhibition view, Zabludowicz Collection, London (UK)

Jon Rafman, 2015, exhibition view, Zabludowicz Collection, London (UK)

Kool-Aid Man in Second Life (Cabine), 2015, installation, 244 x 152,5 x 198 cm (96 x 60 x 78"), exhibition view, Musée d'art contemporain de Montréal, Montréal (Canada)

Remember Carthage / A Man Digging (Temple), 2015, installation, exhibition view at Musée d'art contemporain de Montréal, Montréal (Canada)

Sticky Drama, 2015, HD video

New Age Demanded (Tuskface Marble), 2015, archival pigment print, 182 x 152 cm (72 x 60"), unique

New Age Demanded (Rivers North of the Future), 2014, archival pigment print, 182 x 152 cm (72 x 60"), unique

The end of the end of the end, 2014, Contemporary Art Museum in Saint-Louis, exhibition view, Saint-Louis (USA)

606 Isenberg Street, Honolulu, Hawaii, United States, 2013, archival pigment print, edition of 1 + 1 AP, 101 x 162 cm (40 × 64")

1019 San Dominigo Road, Pine Hills, Florida, USA, 2013, archival pigment print, edition of 1 + 1 AP, 101 x 162 cm (40 × 64")

3 Piazza Carignano, Turin, Piedmont, Italia, 2012, archival pigment print, 101 x 162 cm (40 x 64"), edition of 1 + 1 AP

7 Rue Jean Robie, Saint-Gilles, Brussels, Belgium, 2012, archival pigment print, 101 x 162 cm (40 x 64"), edition of 1 + 1 AP

Strand Road, Co. Dublin, Ireland, archival pigment print, edition of 1 + 1 AP, 101 x 162 cm (40 x 64") Hydro-Québec collection

705 W 9th St, Los Angeles, CA, 2012, archival pigment print, edition of 1 + 1 AP, 101 x 162 cm (40 x 64"), National Bank of Canada collection

HOPE SPRINGS ETERNAL II, 2014, exhibition view, Galerie Antoine Ertaskiran © Paul Litherland, Montreal (Canada)

HOPE SPRINGS ETERNAL II, 2014, exhibition view, Galerie Antoine Ertaskiran © Paul Litherland, Montreal (Canada)

Manifolds V, 2014, 3D photopolymer resin and pigment, 63,5 x 30,5 x 25,5 cm (25 x 12 x 10"), private collection

HOPE SPRINGS ETERNAL II, 2014, exhibition view, Galerie Antoine Ertaskiran © Paul Litherland, Montreal (Canada)

Mainsqueeze, 2014, HD video, exhibition view, 10'36", edition of 3 + 2AP

Rig 1, 2014, orthopedic bed, LED flatscreen TV, exhibition view, variable dimensions, unique

Agnes Martin Conference Room, 2014, archival pigment print, 91 x 121 cm (36 x 48")

A Man Digging, 2013, HD video, 8'20", edition of 3

Codes of Honor, 2011, HD video, 14 min

Jon Rafman: The Nine Eyes of Google Street View, 2012, exhibition view, Saatchi gallery

Jon Rafman: Nine Eyes, 2012, Moscow photobienniale, central exhibition hall manege, installation view, Moscow (Russia)