Aude Moreau
Less is More or, exhibition view, Galerie Antoine Ertaskiran, Montreal, 2018
Less is More or, exhibition view, Galerie Antoine Ertaskiran, Montreal, 2018
Less is More or, exhibition view, Galerie Antoine Ertaskiran, Montreal, 2018
Less is More or, exhibition view, Galerie Antoine Ertaskiran, Montreal, 2018
Less is More or, exhibition view, Galerie Antoine Ertaskiran, Montreal, 2018
Aude Moreau, Less is More or -Sept. 02-04, 2017, #1, 2017, inkjet print on paper, 110.5 x 147.5 cm (43.5 x 58"), edition of 3 + 2 APs, private collections
Aude Moreau, Less is More or -Sept. 02-04, 2017, #2, 2017, inkjet print on paper, 110.5 x 147.5 cm (43.5 x 58"), edition of 3 + 2 APs
Aude Moreau, Less is More or -Sept. 02-04, 2017, #3, 2017, inkjet print on paper, 110.5 x 147.5 cm (43.5 x 58"), edition of 3 + 2 APs
Less is more or...#1, 2015, archival pigment print, 51 x 76 cm (20 x 30"), edition of 5 + 2 AP
The Political Nightfall, 2016, exhibition view at The Power Plant, Toronto (Canada) © Toni Hafkenscheid
La ligne bleue (maquette), 2014, archival pigment print, 44 x 85 cm (17 x 33.5")
Sans titre (Walk of fame), 2015, archival pigment print, 51 x 76 cm (20 x 30"), edition of 5 + 2 AP
Signs (US Bank / City National Bank / Wells Fargo / Deloitte), 2015, archival pigment print, 76 x 112 cm (30 x 44"), edition of 5 + 2 AP
La ligne bleue (test #1), 2014, archival pigment print, 53 x 80 cm (21 x 31.5"), edition of 5 + 2 AP
La ligne bleue (test #3), 2014, archival pigment print, 53 x 80 cm (21 x 31.5"), edition of 5 + 2 AP
The Political Nightfall, 2015, exhibition view at Galerie de l'UQAM, Montreal (Canada) © Louis-Philippe Côté
The Political Nightfall, 2015, exhibition view at Galerie de l'UQAM, Montreal (Canada) © Louis-Philippe Côté
La ligne bleue #2, 2014, archival pigment print, 122 x 488 cm (4 x 16'), © Paul Litherland
La ligne bleue, 2015, exhibition view @ Galerie Antoine Ertaskiran, © Paul Litherland
La ligne bleue, 2015, exhibition view @ Galerie Antoine Ertaskiran, © Paul Litherland
La ligne bleue, 2015, exhibition view @ Galerie Antoine Ertaskiran, © Paul Litherland
La ligne bleue, 2015, exhibition view @ Galerie Antoine Ertaskiran, © Paul Litherland
La ligne bleue, 2015, exhibition view @ Galerie Antoine Ertaskiran, © Paul Litherland
La Ligne bleue (test #4), 2014, archival pigment print, 44.5 x 60 cm (17.5 x 23.5"), edition of 5 + 2 AP
The Political Nightfall, 2015, exhibition view at Galerie de l'UQAM, Montreal (Canada) © Louis-Philippe Côté
Reconstruction, 2012, HD video, edition of 5 + 1 AP
LAPD (Los Angeles Police Department), 2014-2015, archival pigment print, 156 x 127 cm (61.5 x 50")
Untitled (Hollywood sign), 2014-2015, archival pigment print, 156 x 127 cm (61.5 x 50")
Waiting for Landing, 2014-2015, archival pigment print, 76 x 112 cm (30 x 44")
Tapis de sucre, 2013, exhibition view, Smack Mellon, Brooklyn, © Étienne Frossard
Voici l’art de faire taire les mots … , 2012, inkjet print on paper, edition of 20, 29 x 37 cm (11.6 x 14.6"), © Paul Litherland
SORTIR, 2010, inkjet print on paper, edition 1 of 3, 51 x 76,3 cm (20 x 30"), © Mathieu Fortin
Le fil d'Ariane (document), 2006, archival pigment print edition 1/5 +AP, 148.8 x 212.6 cm (58.6 x 83.7")
Tirer le ciel (document 2), 2010, archival pigment print, edition 1/3 + 1 AP, 53 x 81,3 cm (21 x 32"), © Guy L'Heureux
Tirer le ciel (document 2), 2010, archival pigment print, archival pigment print, edition of 5 + 1 AP, 53 x 81,3 cm (21 x 32"), © Guy L'Heureux
Tirer le ciel, 2006, exhibition view, Axenéo 7, Gatineau
Tapis de sucre, 2008, installation view, Fonderie Darling, Montreal, © Guy l'Heureux
The way you talk, 2005, exhibition view, Galerie de l'ENSAPC, Paris, © Laurent Sabourin
Topographie de la couleur résiduelle, 2004, exhibition view © Guy l'Heureux
Topographie de la couleur résiduelle, 2004, edition of 5 + AP 107.8 x 96.5 cm (42.5 x 38")
Faire le vide, 2010, video installation, video still, © Guy l'Heureux
Tirer le ciel (document 2), 2010, archival pigment print, edition 1/3 + 1 AP, 53 x 81,3 cm (21 x 32"), © Guy L'Heureux