Art Toronto, 2019, booth view
Art Toronto, 2019, booth view
Jon Rafman, 422 Avenida Engenho Murlbreco, Pernambuco, Brazil, 2013, archival pigment print, 101 x 162 cm (40 x 64"), edition 1/1 + 1 AP
Mathieu Beauséjour, Tube, 2019, graphite on paper, 101.5 x 101.5 cm (40 x 40")
Vanessa Brown, Cassiopeia, 2019, Steel, oil paint, copper, shells, 66 x 26.70 x 58.50 cm (26 x 10.5 x 23")
Jane Corrigan, Fetch and Bones, 2019, oil on canvas, 91.5 x 79 cm (36 x 31")
Julia Dault, Double Double Land, 2017, Leather, silver leaf, printed paper, and oil on canvas, 61 x 45.7 cm (24 x 18")
Kim Dorland, The Last Lie, 2019, oil on burlap, 91.5 x 76 cm (36 x 30")
Jessica Eaton, cfaal 2204, 2018, inkjet print, 76 x 61 cm (30 x 24"), edition of 5 + 2 APs
Nicolas Grenier, Almighty Market Forces / Earthy Things, 2019, Oil and acrylic on canvas, 101.5 x 101.5 cm (40 x 40")
Luce Meunier, Eaux de surface #15, 2019, acrylic on cotton canvas, 134 x 107 cm (52.5 x 42")
Aude Moreau, Less is More or - Sept. 02-04, 2017, inkjet print on paper, 76 x 101.5 cm (30 x 40"), edition of 5 + 1 AP
Les Ramsay, Proto-Sinaitic, 2018, acrylic and modeling paste on canvas, 183 x 137 cm (72 x 54")
Jeanie Riddle, Actual Color and Seeming Color, 2019, acrylic on canvas, 91.5 x 117 cm (36 x 46")
Derek Sullivan, #147, Projections, surveys, marks, gestures, 2019, colored pencil on paper, 127 x 98 cm (50 x 38.5")
Sara Anstis, Birdcatcher, 2019, pastel on paper, 127 x 97.5 cm (50 x 38.5")
Chris Kline, Interior, 2019, acrylic on poplin, wood stretcher, 183 x 183 cm (72 x 72")
Stephanie Temma Hier, A Seed for Sowing Should Not Be Milled (Fukushima Daisy II), 2019, oil on canvas with glazed stoneware frame, 33 x 25.5 x 5 cm (13 x 10 x 2")